artist talk john quinn

studied animation at prat

2d animator stop motion exppeiremntal and tradtional

Experiemntal- going with the flow

traditional is mor about

byrdcliffe arts colony

multiplane camera used in tradtional cell animation like disney

differents planes seperates different aspects of the frame

similuate dephth and pannig simialr to photo racks

messing with different layers

art residency art not displinary

tin type stop motion-

animation can be anything (its video work)

doing comisions as a free lance artist

psychedelic educational tevelision from the 1970's

expiermental childrens art and telvision

strata cut (cuting clay)

looking at old animation

being economical and not waste time

K.I.S.S. keep it simple stupid

vertical slice- storyboard is important but its also important to expeiremnt

make bad art

School

started digital

cant be narrow minded

"animated documentary"

learning to go back from digital to analog animation

doing animamtion in alchol marker and back lit led

ghosting efect through having

stop motino indepentment study

everything you do influences what you do

using 2d prnclbes in stop motion

keep absorbing stuf around you even stuff completely outside of your field

it only matters what the camera sees

henin karaj animator in gaza to gaza with love .com

john quinns usernames

90 percent plan 10 percent unplanned

archive of the internet way back machine